Showing posts with label Ubud. Show all posts
Showing posts with label Ubud. Show all posts

Friday, June 3, 2011

15 writers chosen for Ubud Writers festival

The Jakarta Post, Jakarta | Fri, 06/03/2011

The committee of the Ubud Writers and Readers Festival (UWRF) has chosen 15 writers to appear at the annual literary event, held in Ubud, Bali from Oct. 5-9 this year

The festival, which was first held in 2004, is one of the most prominent literary festivals in the world. Fatimah Bhutto, a poet who is the granddaughter of former Pakistani prime minister Zulfikar Ali Bhutto, praised the festival as one of the best literary festivals of its kind.

“They [writers] come from various areas across the archipelago. Sumatra, Java, Kalimantan, Sulawesi, Bali and West Nusa Tenggara are all represented in the chosen lineup of writers,” the festival’s community development manager, Kadek Purnami, said Friday.

The writers are Alan Malingi from West Nusa Tenggara, Arafat Nur from Aceh, Aulia Nurul Adzkia from Ciamis, Budy Utamy from Riau, Fitri Yani from Bandar Lampung, Ida Ahdiah from Tangerang, Irianto Ibrahim from Kendari, Pinto Anugrah and Ragdi F Daye from Padang, Rida Fitria from Lumajang, Sandy Firly from Banjarmasin, Sanie B Kuncoro from Solo, Saut Poltak Tambunan from Jakarta, Satmoko Budi Santoso from Yogyakarta, and Wahyudin from Banten.

The writers were chosen during the 2011 UWRF Board of Curators meeting in Sanur in May. The curators involved in the selections were senior writers Kurnia Effendi from Jakarta, Dorothea Rosa Herliany from Magelang, Iyut Fitra from Payakumbuh and Made Adnyana Ole from Bali.

“The [15] chosen writers are a reflection [of Indonesia] being an archipelago because they come from various areas and cultural backgrounds. Their works of art are also in various forms: some write poems while others write novels, essays, short stories and drama scripts,” Kurnia Effendi said as quoted from tempointeraktif.com.

This year the theme of the festival will be "Nandurin Karang Awak", literally meaning cultivate the land within, based on the work of the late Balinese poet Ida Pedanda Made Sidemen.

Thursday, March 31, 2011

Bali profits from business of soul-searching

Google/AFP, by Angela Dewan (AFP), March 31, 2011

Bali is an obvious hub for yoga fanatics

UBUD, Indonesia — Being a Hindu yogi once meant renouncing worldly pleasures for a life of solitary meditation, wandering the jungle in search of union with god.

Today, new-age yogis wander the globe from one retreat to another, stay in luxury hotels and preach to the converted masses through a headset microphone.

Yoga industry in the United States alone
is valued at almost $6 billion a year
At the Bali Spirit Festival last week, yogis sold their take on life -- along with complementary DVDs -- as visitors from as far afield as the United States, Australia and Europe lapped up expensive yoga apparel, mats and mala beads. Just stepping through the festival gates cost $100 a day.

"I bought a gold pass for $500 and I find it hard to get $100 worth of yoga a day. At the same time, all the classes have been amazing, so in the end, I?m happy to have paid that," said Australian Jean Cameron, 39.

A 2008 study published by the Yoga Journal valued the yoga industry in the United States alone at almost $6 billion a year, with some more recent estimates for the global industry rising to $18 billion.

Bali is an obvious hub for yoga fanatics. The Balinese are Hindu, the Indonesian island is rich with natural beauty and the government supports spiritual tourism including temple tours and visits to traditional healers.

Demand for such experiences spiked recently with the publication of Elizabeth Gilbert's best-selling memoir "Eat, Pray, Love" -- a romantic journey of self-discovery featuring a mystical encounter with a Balinese soothsayer.

Uma Inder, a Hatha yoga teacher, has witnessed the radical transformation of yoga in Bali. She moved from England to the island 22 years ago, spending her first seven years practising yoga alone in the jungle.

This year, around 4,000 people
participated in the Bali Spirit
Festival
"In those days you didn?t talk about yoga and no one really knew about it. Nowadays, it?s a social buzz. It?s now talked about, it?s paraded and it?s very much about entertainment," Inder said.

Festival organiser Meghan Pappenheim makes no apologies for the commerciality of the event, and sees it as a positive way to draw more people to yoga.

"I?m the first to admit I?m an entrepreneur, I?m a capitalist. This event has a target market, and those are the people with the money who can go home and make a difference," she said.

"My philosophy is that you make money and then you give it away. You make enough to buy a phone and a nice car, and you give the rest away."

Only four years old, the festival itself is yet to turn a profit. But Pappenheim and her Balinese husband, Kadek Gunarta, say they have used the yoga boom to raise $36,000 for charity through various events.

The festival has a sponsor, Fiesta condoms, which donated $25,000 for an HIV/AIDS outreach programme for Balinese high school students.

So far, Pappenheim and her husband have funded the festival from money they make from a small empire of businesses, which include a yoga centre, an art gallery, an eco-friendly furniture studio and a cafe.

Pappenheim is optimistic that the festival too will become profitable as attendance numbers double annually. This year, she estimates 4,000 people participated.

Wednesday, November 3, 2010

Thousands bid farewell to late King of Peliatan

Luh De Suriyani, The Jakarta Post, Ubud | Wed, 11/03/2010 9:17 AM

Royal cremation: A wooden sarcophagus in the shape of a white bull with gold plated horns makes its way along Ubud’s crowded streets on Tuesday. The coffin of the late Ida Dewa Agung Peliatan IX, the last king of Peliatan, with a 25-meter-tall bade cremation tower on it is seen in the background. The remains of the Balinese king were later moved from the tower and placed inside the sarcophagus and cremated. Almost 7,000 men from 30 hamlets in Ubud took turns to help carry the sarcophagus, the bade and the naga banda (dragon) during the funeral procession. JP/Agung Parameswara

The Bali royal families, foreign dignitaries and thousands of residents of Peliatan and Ubud flocked to Peliatan Palace to witness the grand cremation of the late King of Peliatan IX, Ida Dewa Agung Peliatan, on Tuesday.

Prior to the grand palebon agung — a cremation ritual for members of the Bali royal families — Peliatan’s royal family and nobility paid their last respects to the late King, who died from diabetes last August.

Hindu High Priest Ida Pedanda Lingsir Padang Tegal, who presided over the religious ritual, fired a sacred arrow into a 6-meter-tall dragon-shaped bridge called naga banda in a symbol of destroying the earthly desires that tormented the late king, and thus releasing his soul from the temptations of the material world.

The naga banda, presented by the Ubud royal family, was used to carry the body of the late King Peliatan to a 25-meter-tall cremation tower called a bade.

The tower has 11 pyramid-shaped roofs signifying the king’s lineage from the noblemen of East Java’s Majapahit Kingdom, which conquered the island in the 14th century.

Thousands of villagers enthusiastically carried the 20-ton bade from Peliatan Palace to Royal Dalem Cemetery. They were followed by a long procession of women carrying colorful offerings and other items as part of the ritual.

All of the members of Bali’s royal families attended the procession in the most formal of royal attire.

It took more than one hour for the hundreds of pallbearers to carry the bade over the 1.5 kilometers from Peliatan Palace, where the king had been lying in state, to the cemetery.

Pan Mandi, a theater artist from Gianyar, was one of the bade carriers.

“I am so honored to take part in the ritual. This is a sacred ritual and a reflection of our respect for the late King of Peliatan,” Pan Mandi said.

Traffic in the Ubud area ground to a halt as a sea of spectators flocked to the event. Power was turned off in the area to ensure the 11-tier cremation tower was not damaged by power cables.

Local and foreign visitors waited patiently under a scorching sun for the procession to make its way to them. Most restaurants, cafes, shops and traditional markets were closed in the morning out of respect for the event, which took the palace months to prepare for.

Peliatan Palace had also held a long series of rituals before Tuesday’s cremation ceremony.

Tjokorda Putra Nindya, the King’s nephew and the heir to the Peliatan throne, said he must follow in the late King’s footsteps by getting the palace more involved in social and cultural activities in Bali.

“Before he passed away, the late King asked me to become more actively involved in cultural dialogue for the betterment of Bali.

“We have a similar family lineage to the Ubud Royal Family, but they are more active in society,” Tjokorda Putra Nindya said.

On Oct. 7, the Palace declared Tjokorda Putra Nindya would be crowned the new king of Peliatan.

Power was turned off in the area to ensure the 11-tier cremation tower was not damaged
by power cables.

Thursday, September 30, 2010

Literary award, tribute to highlight Ubud festival

I Wayan Juniartha, The Jakarta Post, Ubud | Thu, 09/30/2010 9:26 AM

The annual Ubud literary festival is just around the corner and the commotion in the festival’s office on Monday was not unlike an army platoon on high alert.

Symbol of attainment: This year, the Citibank-Ubud
Writers and Readers Festival is to bestow the
MasterCard-Saraswati Literary Award for Lifetime
Achievement — created by Wayan Bener of Sebatu
using Cempaka wood, Chinese coins and Prada Gede
gold lacquer — to a senior Indonesian author.
JP/Kadek Purnami
A group of volunteers was busy sorting invitations and placing information sheets in the writers’ goody bags, while in a nearby room the festival’s co-director, Sarah Tooth, stared intensely at the computer monitor as emails flooded in.

“Things get so hectic that everybody is now juggling with priorities and deadlines,” she said as she lit another cigarette.

Despite the frenzied atmosphere, the festival team was clearly upbeat about the upcoming gathering.

After all, things weren’t as bleak as last year’s festival, when the team had to fight an uphill battle to stay afloat following the 60 percent decrease in sponsorship due to the global economic crisis.

“Now, we have Citibank as our main sponsor and its generous contribution has eased a lot of the burden financially,” the festival’s sponsorship manager, Roberto Aria Putra, said.

The sponsorship deal has given the festival its new official name Citibank-Ubud Writers and Readers Festival 2010 (www.ubudwritersfestival.com).

Citibank will help promote the Ubud Writers & Readers Festival in 12 countries, attracting international audiences to a global-minded festival.

“It is a pleasure to support this unique festival that embraces passion, art and expression on our beautiful island. Bali has always been a place where people from all nationalities come to enjoy life to the full, and we believe it is time that Bali became an international meeting point,” said the card business head for Citibank N.A. Indonesia, Irfan Ahmed.

Citibank’s support wasn’t the only reason behind the festival team’s upbeat spirit. Festival community development manager Kadek Purnami, who oversees the Indonesia Program, offered another reason.

“For the first time in the festival’s history, and we are entering our seventh year now, we have the resources to show our respect to those who have made a significant contribution to the advancement of Indonesian literature. This year, we will present a literary award to Pak Sitor Situmorang,” she said.

Sponsored by MasterCard, the award is named after Saraswati, the Hindu’s goddess of knowledge and the arts.

The Saraswati Literary Award for Lifetime Achievement will be presented to Sitor Situmorang during the festival’s gala opening on Oct. 6 in Ubud Palace.

“We are very proud that Sitor Situmorang is the recipient of the inaugural lifetime achievement award.

Situmorang’s contribution to Indonesian literature has been both prolific and significant and we honor his belief that literature is a movement for liberation and that freedom of expression is a basic human right,” festival’s founder and director Janet de Neefe said.

Born in 1924 in Harianboho, North Sumatra, Sitor Situmorang is one of the most important writers and poets of the “Angkatan 45”, the literary generation who came of age during the struggle for Indonesian independence.

A critical journalist and prolific writer, he passionately believed that literary works must play an active role in the struggle for social justice and human rights.

His Sastra Revolusioner (Revolutionary Literature) essay, his past involvement in a cultural institution affiliated with a fading political party, and his general resentment toward the New Order regime’s strongman Soeharto resulted in his eight-year-long imprisonment without trial in Salemba Prison.

He wasn’t allowed to bring pens and paper into his cell, but that measure failed to kill “the wandering bard” inside Sitor.

During the ensuing two-year house arrest, Sitor published two works he composed in Salemba.

In the following decades, Sitor spent most of his time in Paris and in Holland, where he lectured at Leiden.

He penned numerous poems, short stories and essays during that period. For him, writing is a sport that keeps his body fit.

Now, in his mid-eighties, Sitor is still writing poems. In 2006, a two-volume anthology of his works
was published.

The anthology contains more than 600 poems written between 1948 and 2005.

“Pak Sitor is very grateful for this honor and I am very pleased with this initiative, which comes at a good time. Hopefully, Pak Sitor will be strong enough to attend the whole program of the festival,” Sitor’s wife Barbara Brouwer said.

Sitor will not be the only Indonesian literary “titan” who will appear in the festival.

The eccentric Sutardji Calzoum Bachri, who has single-handedly liberated words from their meaning and transformed modern Indonesia poetry in the process, has confirmed his participation.

Another “titan” will appear posthumously in the festival. Abdurrahman Wahid, affectionately known as Gus Dur, will be remembered in the festival’s Tribute Night.

“He was the country’s former president, former leader of the moderate Nahdlatul Ulama, and an influential thinker, but, above all, he was the staunch defender of the country’s multiculturalism and an outspoken advocate for religious tolerance and minority rights,” Purnami said, adding that Gus Dur was the perfect icon of the festival’s major theme of Bhinneka Tunggal Ika (Unity in Diversity).

Gus Dur’s youngest daughter Inayah Wulandari and his biographer Prof. Greg Barton will speak on his legacy. Bali’s famed poet and dramatist Cok Sawitri has prepared a dance drama to show her respect of the great man.

Titled Conversation between Sunya and Nirwana, the dance drama is inspired by the classical dance drama Gambuh and the ancient Javanese text Sutasoma, from which the nation’s slogan Bhinneka Tungga Ika was derived.

“Now you know why we are so excited and upbeat, there will be so many great events and great writers in the festival,” Purnami said, before rushing to her room to answer another wave of emails.

From Oct. 6 to Oct. 10, the festival team will be responsible for organizing around 150 events in 40 venues across Ubud, Denpasar and Singaraja. They certainly have a valid reason to be in a rush.

Thursday, June 10, 2010

A proposal for a better Ubud

Desy Nurhayati, The Jakarta Post, Ubud | Thu, 06/10/2010 8:14 AM

A picturesque landscape and great arts made Ubud Asia’s best city in 2009, according to the prestigious US magazine Condé Nast Traveller.


Magical Ubud has enchanted many people from around the world to not only visit the place for a vacation, but to live their too.

As US critic and travel writer Jamie James put it, “No place in the world could be greener than Ubud.

Everything here is green: The young rice fields glow a fluorescent shade of emerald, the thick curtains of foliage appear all the greener for the scarlet accents of ginger and hibiscus.”

But Ubud nowadays doesn’t impress eco-friendly architect D.S. Kung as much as it did nearly 13 years ago when the Japanese, affectionately called “The Professor”, came to the city and decided to spend the rest of his life there.

In the eyes of Kung, Ubud nowadays is plagued with air pollution, traffic jams and litter. Another obvious change he has witnessed over the years is the mushrooming of fancy shops and restaurants.

“There were no buses loaded with tourists back then,” he recalled.

“My first impression of this place was that everything was hand-made. It’s truly a heaven for artisans.”

Kung told his audience in the first TEDx forum in Bali, an annual event where some of the world’s thinkers are invited to share their passion.

He said the first thing that came to his mind when thinking about Ubud nowadays was “tourist buses loaded with people, crowding the village’s streets and cause traffic congestion”.

“It’s crowded and polluted. Automobiles are very threatening. And I think this is affront to the beauty of Ubud,” he said.

Kung added that despite Ubud’s great potential, many residents didn’t care much about the growing pollution and mess witnessed over the years.

“They are not aware their lives are actually threatened. They’re too comfortable, and feel they don’t need to make any changes.”

Although the area is “not yet destroyed”, he urged people in Ubud to pay more attention to the environment for their own good.

Born in Mongolia in 1930, Kung grew up in different countries, like the US, Japan, Nepal, the UK, Turkey and Thailand. Then in 1997, he stumbled upon a piece of land with a jungle of trees and a waterfall near Ubud.

Inspired by the energy of the land, he succumbed to the charms of Ubud, and decided to stay.

With a group of local village workers, he built his house and private library. He also designed a few villas for friends and relatives so they could take time out whenever they felt stressed.

As time went by, his building project evolved into a retreat called Michi Retreat Center, concerned with respecting the natural ecosystem while creating a space for people to come and stay.

Collaborating with various eco-friendly architects and artists, Kung created the “Master for Inspiring Architects Program” at the retreat center to inspire eco-architecture and encourage dialogue among a new generation of architects.

Suggesting ways to alleviate environmental pollution, as well as creating a healthy and sustainable sanctuary, Kung came up with what he called “a proposal for Ubud”.

“Ubud can be a great example, it has everything a model city needs. Jakarta could never play that role, it’s simply too big,” he said, highlighting the move to save Ubud should come from the grass-root level.

To address the snarling traffic, Kung suggested a vacant plot of land for tourist buses to park. “Of course buses would still be allowed to come to Ubud, but we have to find a parking lot,” he said, while stressing that “rice fields should not be destroyed for this reason”.

“The solution is to find land where all buses can be parked, and for the administration to provide a minibus service.”

From quaint to crowded: A tourist passes through a handicraft shop on Jl. Monkey Forest, Ubud (photo above and left). Initially a quiet village, Ubud is becoming more and more crowded and filled with many fancy shops and restaurants.

Tourists would be charged for taking the buses, he went on, and the money would go toward schools.

As part of his proposal, he also encouraged people to walk in Ubud. “The city should also organize a regular car-free day, make Ubud a pedestrian heaven, maybe on the weekend. That would be nice.”

A similar initiative was implemented in Kuta, where Sentra Parkir Kuta (Kuta parking center), was established a few kilometers away from tourist hub.

The area a drop off point for tourists, from where they can take minivans to go around Kuta. Yet despite big buses being forbidden to enter Kuta, the area remains heavily congested.

As finding a vacant plot of land in Ubud is proving to be a difficult an expensive task, local administration and communities in Ubud are now working to find open land on the outskirts of Ubud that could be used as parking lot for large buses.

Cok Putra Sukawati, a leader at Puri Ubud, said that as a village, Ubud had not been prepared for the onslaught of tourists.

“If it had been designed as a tourist destination, sufficient parking facilities would have been provided from the start.”

He added that the village administration and locals had been discussing solutions to overcome traffic congestion.

“Ideally, Ubud should be made as a pedestrian zone… Only a few motorized vehicles should be allowed to enter certain areas, and no parking should be allowed along the streets.”

Garbage is also another problem that needs to be addressed. “Ubud should be a clean city, garbage-free. I think we should have our own incinerator,” Kung said.

He estimated the city needed to allocate around US$15 million to build an incinerator.

Garbage from Ubud households is currently taken to a dump site in Gianyar, located 10 kilometers away.

Last but not least, Kung wants to see more emphasis on educating the younger generations, especially about respecting Ubud’s environment.

— Photos by JP/Stanny Angga

LinkWithin