Sunday, September 18, 2011
Two titles for Indonesia in folkdance festival in Turkey
Sunday, July 3, 2011
‘Paradise’ Found in Wilds of Papua
![]() |
| Papuan tribesmen perform with traditional drums known as ‘tibas’ during the Lake Sentani festival in Indonesia’s eastern Papua province. AFP Photo/Romeo Gacad |
Tuesday, June 21, 2011
Festival exposes Papuan tourism charms
Tourism observer Azril Azhari from Trisakti University Jakarta said Sentani had good prospects to be developed further into an interesting tourism site. The accessible transportation and hotels should be able to support the enrichment of Sentani’s tourism promotion and cultural attractions, he said.
Friday, June 3, 2011
Denpasar gearing up for Bali Art Festival
Monday, April 18, 2011
UNESCO to name Saman Dance world cultural heritage
Sunday, April 10, 2011
Is Hip-Hop the Rhythm of Papua?
![]() |
| Dancers from ‘We Are From the East,’ choreographer Jecko Siompo’s exploration of the connection between hip-hop and Papuan traditional dance. (Photo courtesy of Goethe-Institut) |
Related Articles
- Sundance Documentary Pays Tribute to Lost Tribe of Hip-Hop
- New Kids on Block Gonna Hip-Hop Till They Drop
- The Enchantment of 1,001 Nights
- My Jakarta: Saykoji, Rapper
- Rapper Nas, Kelis Finalize Divorce
Saturday, April 9, 2011
Feast for the eyes
![]() |
| Feast for the eyes: A welcome dance is performed at the the launch of Rumah Taubik (Tabuik House) in Pariaman, West Sumatra, on Saturday. |
Monday, December 27, 2010
Indonesia to submit three cultural assets to UNESCO
Wednesday, December 22, 2010
Military Officers in Aceh Break Record for Massive Traditional Dance
![]() |
| Military officers from Aceh's Military Regional Command and their wives performing the traditional Saman dance at Blang Padang field in Banda Aceh on Wednesday. (JG Photo/Nurdin Hasan) |
Related articles
- UN Casts Light On Grim Toll of Poverty in Aceh - Dec 22, 2010
- Press Release: Human Rights Watch Condemns Indonesia’s ‘Abused’ Shariah Laws - Dec 1, 2010
- Human Rights Watch: Testimonies from People Accused of Violating Aceh’s Sharia-Inspired Laws - Dec 1, 2010
- French Suspect in Planned Indonesia Attack Now in Mauritania - Sep 1, 2010
- Massive Coral Bleaching Disaster Hits Aceh’s Coral Reefs - Aug 18, 2010
Monday, December 13, 2010
Australia sponsors workshop for Indonesian actors
Saturday, November 6, 2010
Michelle Obama Dances in India
Saturday, October 23, 2010
China sends prominent performers to Indonesia
Wednesday, October 20, 2010
Atilah Soeryadjaja: Celebrating Javanese female warriors
![]() |
JP/Prodita Sabarini |
Tuesday, October 19, 2010
Aceh’s Saman Dance to Join Batik as Part Of World’s Intangible Heritage: Official

Abdul Azis Hasan is helping to keep Indonesian culture alive with his traditional dance classes. (Photo courtesy of Abdul Azis Hasan)
Wednesday, October 6, 2010
Maluku artist team undeterred by canceled President`s Holland trip
![]() |
Pasar Malam Indonesia 2010, The Hague - April 2010 |
Sunday, June 20, 2010
Sentani Lake festival

Sentani Lake festival: Asmati performers stage a traditional dance to honor their ancestors during the Sentani Lake Festival in Kalkhote, East Sentani, Jayapura, Papua, on Sunday. The annual event features Papuan art, culture and cuisine and will run until Wednesday. Antara/Hermanus Prihatna
Wednesday, June 16, 2010
Bali seeks UNESCO recognition for dance
Desy Nurhayati, The Jakarta Post, Denpasar | Wed, 06/16/2010 10:36 AM
Bali is seeking global recognition by UNESCO for its traditional dances to be named an intangible cultural heritage.
Bali Cultural Agency head Ida Bagus Sedhawa said Monday that a team of five people from the Culture and Tourism Ministry was currently assessing several traditional dances as a preliminary step to gaining world recognition.
Governor Made Mangku Pastika recently reported his administration’s plan to President Susilo Bambang Yudhoyono during the opening ceremony of the island’s annual cultural landmark event, the Bali Art Festival.
Sedhawa said the team had been working since last week with the Indonesian Institute of Art (ISI) in Denpasar to carry out the assessment in regencies throughout the province.
“The team is evaluating three types of dance: pependet, tetopengan or topeng sidakarya, and baris tombak. They will complete the evaluation in the next few days,” he said, adding that the dances belonged to the group of wali dance, meaning they could only be performed during rituals, not on
demand.
Sedhawa added that the evaluation included collecting literature and data on the dances and tracing the history of the dances, as well as finding out how the dances were currently practiced. The team will report its findings to the President.
“Of the three groups of dance, the team will likely select only one to be proposed to UNESCO. The selected dance will be one that truly represents our culture.”
“We have had kris, batik and wayang recognized by UNESCO as the country’s intangible cultural heritage, and now we’re seeking similar acknowledgment for Balinese dances. It would be a first
for Bali.
“Bali has been widely acknowledged for its rich culture so we are confident of gaining recognition, hopefully, this year.”
The province’s cultural agency is also preparing Taman Ayun and Jatiluwih to be acknowledged by UNESCO as cultural landscapes, as part of efforts to preserve the water catchment area amid rapid changes of land use on the island.
“The challenge facing us is to maintain the areas as historical sites and protect the ecosystem there, because we’re seeing rapid change in land use. Villas are being built everywhere,” Sedhawa said.
He added that local people would benefit from UNESCO recognition because of increased tourist numbers and more land devoted to farming.
Sunday, May 23, 2010
One Woman’s Mission to Save Traditional Indonesian Dance

Iin Respatini Kusumastuti, shown wearing Javanese dress, can perform a range of traditional Indonesian dances. She is now passing on that knowledge to younger Indonesians. (Photo courtesy of Iin Respatini Kusumastuti)
In today’s fast-paced, modern society, it is easy to assume that young people don’t really care about culture and tradition. One person, however, thinks that this is not necessarily the case.
“Our young people have actually started to appreciate their cultural heritage, especially traditional dances,” 57-year-old Iin Respatini Kusumastuti said. “As we get smarter, we realize the importance of preserving our own culture. Smart people won’t just adapt other people’s culture to keep up with the trends.”
This master of traditional dance has made it her mission to help preserve the country’s cultural heritage.
“Our traditional dances are so beautiful, why would we learn dances from other countries?” Iin said. “It is so easy to find beautiful dances right her in our own country, from Aceh to Papua.”
Growing up in Surabaya, Iin loved to dance ever since she could remember. With the encouragement of her mother, she started dancing when she was only 4 years old. Balinese dance and ballet were among the first forms she learned.
Over the years, Iin mastered traditional dance. While she specializes in Javanese dance, she is able to perform almost every traditional Indonesian dance.
“My mother always wanted me to be able to do traditional dances, especially the Javanese dances,” Iin said.
Iin grew up in Yogyakarta. As a student, she was actively involved in local dance clubs and won many competitions. “I always loved to perform on stage because I could wear makeup and people applauded [the performance],” she said.
In 1989, Iin took her love for dance a step further by establishing the dance workshop Kasitha Smarandhana — which means “a love song from a princess” in Javanese — with colleagues. She said that her main goal was to train future dancers. “My friends and I are getting old. We need the young to replace us,” she said.
Iin acknowledged that while today’s lifestyle is heavily influenced by modern culture, she said the younger generation has much to learn from traditional dance.
“By respecting their culture, young people can be motivated to contribute more to the country,” she said.
It wasn’t always easy for Iin to pursue her love for dance. Her father, a doctor, wanted her to pursue a medical career. “My father always wanted me to do well in school,” she said.
Because she spent so much time dancing, her father threatened to put a stop to it if she failed to keep her grades up
“I had to learn to keep my dancing under wraps so that my father wouldn’t find out,” she said.
To please her father, Iin in 1972 decided to study politics at the University of Indonesia. But she never lost her passion for dance. While at university, she also studied dance at the Art Institute of Jakarta.
Her dedication to her craft paid off when she became part of the Penari Istana (Palace Dancers) at the Presidential Palace, a role she had from 1972 to 1984. The dancers were considered cultural ambassadors and traveled around the world to perform. “It was a very happy stage of my life,” she said. “I could visit so many countries by dancing.”
To prove to her father that she could pursue dance and higher education at the same time, Iin studied for a master’s degree in business administration from the University of Indonesia, graduating in 1994. She earned a PhD in marketing from Melbourne University in 1999.
These days, when not busy dancing, Iin runs a catering and interior design business.
Iin’s Kasitha Smarandhana dance workshop now has about 50 students, mostly women between 14 and 30 years of age, who attend class on a weekly basis.
Deka Dwinanda, a 23-year-old postgraduate psychology student, has been attending the workshop and studying Javanese dance for three weeks. Deka said that she has had an interest in dance for a while now and feels an obligation to help preserve traditional dance. “Our culture is very rich, and traditional dances are part of it,” she said.
Deka added that traditional dances were special because they represented real women. “Traditional Indonesian dances reflect beauty, patience and sexiness,” she said.
Alphadian Parahita Winarno, 27, also enrolled in the workshop, sees Iin as someone who is very dedicated to traditional dance.
“She’s a very professional dancer,” Alphadian said, adding that what makes Iin special is that she always treats her students like her own children.
“That’s why it’s so comfortable to learn dances here,” Alphadian said.
Iin said that unlike modern dance, mastering traditional dance is more difficult. “It takes a lot of patience and is a long process,” she said.
According to Iin, there are eight things that a beginner should pay attention to when it comes to learning traditional dances, especially those from Java: stance, attitude, flexibility, uniqueness, expression, harmony (between movement and music), rhythm and music.
“It’s true that traditional dances are not easy to practice and master,” she said. “But once you get to know the beauty of our traditional dances, you will be addicted.”





